{"album":[{"idAlbum":"2185502","idArtist":"111304","idLabel":"42936","strAlbum":"The Marshall Mathers LP 2","strAlbumStripped":"The Marshall Mathers LP 2","strArtist":"Eminem","strArtistStripped":"Eminem","intYearReleased":"2013","strStyle":"Urban/R&B","strGenre":"Hip-Hop","strLabel":"Aftermath Music","strReleaseFormat":"Album","intSales":"9000000","strAlbumThumb":"https://r2.theaudiodb.com/images/media/album/thumb/xurrss1538333813.jpg","strAlbumThumbHQ":"https://r2.theaudiodb.com/images/media/album/thumbhq/qswqxx1538931967.jpg","strAlbumBack":"https://r2.theaudiodb.com/images/media/album/back/swrqps1538333745.jpg","strAlbumCDart":"https://r2.theaudiodb.com/images/media/album/cdart/the-marshall-mathers-lp-2-527aa92d5b40d.png","strAlbumSpine":null,"strAlbum3DCase":"https://r2.theaudiodb.com/images/media/album/3dcase/wpyvsq1538333712.png","strAlbum3DFlat":"https://r2.theaudiodb.com/images/media/album/3dflat/txvwqx1538333697.png","strAlbum3DFace":"https://r2.theaudiodb.com/images/media/album/3dface/wyrxur1538333704.png","strAlbum3DThumb":"https://r2.theaudiodb.com/images/media/album/3dthumb/fqwb3z1644526136.png","strDescription":"The Marshall Mathers LP 2 is the eighth studio album by American rapper Eminem, released on November 5, 2013, by Aftermath Entertainment, Shady Records, and Interscope Records. A continuation of Eminem's most acclaimed studio effort, 2000's The Marshall Mathers LP, production for the album took place from 2012 to 2013 and was handled by Eminem and other record producers, including Rick Rubin, Luis Resto, Emile Haynie, and Alex da Kid. The album features guest appearances from singers Skylar Grey, Rihanna, and Fun frontman Nate Ruess, with the only other rapper appearing on the album being Eminem's Aftermath label-mate Kendrick Lamar.\nThe album title was revealed during the 2013 MTV Video Music Awards on August 25 with a preview of the lead single \"Berzerk\", released two days later in the U.S., peaking at number three on the Billboard Hot 100. It was followed by two singles: \"Survival\", released on October 8, and \"Rap God\", released on October 15, 2013. The former debuted at number 17 on the Hot 100, and the latter at number seven. \"The Monster\", featuring Rihanna, was released as the album's fourth single on October 29, 2013.\nThe album received generally positive reviews from music critics, with praise going to Eminem's technical rapping skill and production choices. It marked an improvement in reception over some of his more recent albums, and was named on multiple \"Albums of the Year\" year-end lists. The album debuted at number one on the Billboard 200 and had the second highest album sales of 2013.","strDescriptionDE":null,"strDescriptionFR":"The Marshall Mathers LP 2 (parfois stylisé en MMLP2) est le huitième album studio d'Eminem sorti le 5 novembre 2013. Le successeur de Recovery sorti en 2010 est publié par les labels Shady Records, Aftermath Entertainment et Interscope Records. L'album constitue la suite de The Marshall Mathers LP, album adulé par la critique et qui rencontra un très important succès commercial à sa sortie en 2000.\n\nL'enregistrement de l'album a eu lieu entre 2012 et 2013 dans de nombreux studios en compagnie de producteurs tels que Rick Rubin qui est le producteur de groupes comme les Beastie Boys ou les Red Hot Chili Peppers, Alex da Kid, DJ Khalil, Symbolyc One, Cardiak, DVLP, Emile Haynie ou encore Dr. Dre, le producteur historique du rappeur. Eminem a invité Skylar Grey, Rihanna, Kendrick Lamar et Nate Ruess, le leader du groupe Fun, à prêter leurs voix pour les titres Asshole, The Monster, Love Game et Headlights. Après une parenthèse plus sobre et moins violente avec Recovery, Eminem revient à la formule qui a fait son succès au début des années 2000, à savoir un rap personnel où il se raconte et des paroles violentes empreinte de misogynie et d'homophobie selon les détracteurs du rappeur de Détroit. Pour la promotion de l'album, Eminem a participé à des émissions de télévision ou des remises de récompenses où il a pu interpréter des morceaux présents sur The Marshall Mathers LP 2. Il prévoit également une tournée mondiale pour l'année 2014 appelée The Rapture Tour.\n\nL'album a reçu, généralement, des critiques très positives de la part de la presse spécialisée soulignant la qualité du flow d'Eminem sur cet album ainsi que des choix pertinents au niveau de la production. C'est l'album d'Eminem le mieux accueilli depuis The Eminem Show en 2002. Commercialement, l'album est un succès. Il débute en effet à la première place du Billboard 200 avec 792 000 albums vendus en première semaine et gardera cette position pendant deux semaines non-consécutives. Il se classe premier dans de nombreux autres pays et est le second album le plus vendu aux États-Unis en 2013. En mars 2014, il s'est écoulé à plus de deux millions d'exemplaires aux États-Unis.\n\nLe premier single, intitulé Berzerk, s'est vendu a plus de 362 000 exemplaires en première semaine d'exploitation aux États-Unis, prenant d'entrée la troisième place du Billboard Hot 100 et donnant au rappeur une nouvelle nomination aux Grammy Awards. Le second single, Survival a été dévoilé pour la bande-originale du jeu vidéo Call of Duty: Ghosts mais ne rencontra pas le même succès que le premier single. À la mi-octobre, Eminem sort le troisième extrait de MMLP2, Rap God, un morceau polémique où il s'autoproclame dieu du rap. Le titre est un succès à la fois commercial, et surtout critique puisque les médias du monde entier ont salué la performance d'Eminem qui a réussi à rapper 101 mots en 16 secondes. Une dizaine de jour avant la sortie de l'album, le rappeur dévoile The Monster, un nouveau duo avec la chanteuse Rihanna qui fut un succès planétaire se classant à la première place des classements de nombreux pays tels que les États-Unis, le Royaume-Uni, l'Australie, la Suède ou encore la France.","strDescriptionCN":null,"strDescriptionIT":null,"strDescriptionJP":null,"strDescriptionRU":null,"strDescriptionES":null,"strDescriptionPT":null,"strDescriptionSE":null,"strDescriptionNL":null,"strDescriptionHU":null,"strDescriptionNO":null,"strDescriptionIL":null,"strDescriptionPL":null,"intLoved":"1","intScore":"7.5","intScoreVotes":"6","intPopularity":null,"strReview":"The Marshall Mathers LP 2 is the kind of sequel that gets people shouting at the screen in disbelief before their seats are warmed up. The first song, “Bad Guy,” is seven white-knuckled minutes of psycho-rap insanity in which Stan’s little brother comes back to chop Slim Shady into Slim Jims, tossing him into the trunk and driving around Detroit – listening to The Marshall Mathers LP, of course. “How’s this for publicity stunt? This should be fun/Last album now, ’cause after this you’ll be officially done,” Em raps, playing his own killer.\n\nEminem could use a publicity stunt, and The Marshall Mathers LP 2 is just what the therapist ordered. During the 13 years since The Marshall Mathers LP, he’s never lost his acrobat-gremlin skills on the mic. But some subsequent albums felt hermetic, perverting rage into rock-star griping on 2004’s Encore, horror-show shock tactics on 2009’s Relapse and 12-step purging on 2010’s Recovery. The Marshall Mathers LP 2 is about reclaiming a certain freewheeling buoyancy, about pissing off the world from a more open, less cynical place; he even says sorry to his mom on “Headlights,” where he’s joined by Nate Ruess of fun.\n\nNostalgia is everywhere. Em surrounds himself in allusions to classic hip-hop, like the Beastie Boys samples producer Rick Rubin laces together on “Berzerk.” It’s telling that the only guest MC is Kendrick Lamar on “Love Game,” probably because his slippery syllable-juggling owes a lot to Eminem.\n\nYet Em’s former obsession – his own media image – has been replaced with a 41-year-old’s cranky concerns. He’s still a solipsistic cretin, but in a more general, everyday sort of way. He raps about how he can’t figure out how to download Luda on his computer and waves the Nineties-geek flag with references to Jeffrey Dahmer and the Unabomber. He’s playing his best character: the demon spawn of Trailer Hell, America, hitting middle age with his middle finger up his nose while he cleans off the Kool-Aid his kids spilled on the couch.\n\nMuch of the album hews to the stark beats and melodies he loves rapping over. But the tracks that lean on classic rock are loopy and hilarious. “Rhyme or Reason” brilliantly flips a sample of the Zombies‘ “Time of the Season”; when the song asks, “Who’s your daddy,” Em answers, “I don’t have one/My mother reproduced like a Komodo dragon.” “So Far . . .” shows some love for a Rust Belt homey by rhyming over Joe Walsh’s “Life’s Been Good”: “Jed Clampett, Fred Sanford, welfare mentality helps to/Keep me grounded, that’s why I never take full advantage of wealth/I managed to dwell within these perimeters/Still cramming the shelves full of Hamburger Helper/I can’t even help it, this is the hand I was dealt to.”\n\nMM LP 2 fits in well in the year of Yeezus and Magna Carta . . . Holy Grail, records by aging geniuses trying to figure out what the hell to do with their dad-ass selves. (It’s like hip-hop is the new Wilco or something.) Since Em has always been a mess, he’ll probably still be able to give us pause when he’s rhyming about retirement ventures through dentures and cleaning out the colostomy bag he wears up inside his saggy drawers. MM LP 3, 2026. Let’s do this.\n\nSOURCE: https://www.rollingstone.com/music/music-album-reviews/the-marshall-mathers-lp-2-99058/","strMood":"Angry","strTheme":"","strSpeed":"Medium","strLocation":null,"strMusicBrainzID":"b1fdc9cc-8680-44da-abab-59edca6b2ad3","strMusicBrainzArtistID":"b95ce3ff-3d05-4e87-9e01-c97b66af13d4","strAllMusicID":"mw0002583498","strBBCReviewID":null,"strRateYourMusicID":null,"strDiscogsID":"615877","strWikidataID":"Q14654427","strWikipediaID":"The_Marshall_Mathers_LP_2","strGeniusID":null,"strLyricWikiID":null,"strMusicMozID":null,"strItunesID":null,"strAmazonID":null,"strUPCID":null,"strSpotifyID":null,"strLocked":"unlocked","intChecked":"1"}]}